Walt Disney Concert Hall

Walt Disney Concert Hall
Image-Disney Concert Hall by Carol Highsmith edit.jpg
Type Concert hall
Built 1999–2003
Opened October 23, 2003
Location 111 South Grand Avenue
Los Angeles, California, U.S.
Construction cost $240 million
Seating type Reserved
Capacity 2,265
Website Venue website

The Walt Disney Concert Hall at 111 South Grand Avenue in Downtown Los Angeles, California is the fourth hall of the Los Angeles Music Center. Bounded by Hope Street, Grand Avenue, 1st and 2nd Streets, it seats 2,265 people and serves (among other purposes) as the home of the Los Angeles Philharmonic orchestra and the Los Angeles Master Chorale.

Lillian Disney made an initial gift in 1987 to build a performance venue as a gift to the people of Los Angeles and a tribute to Walt Disney's devotion to the arts and the city. The Frank Gehry-designed building opened on October 23, 2003. Both the architecture by Frank Gehry and the acoustics of the concert hall (designed by Yasuhisa Toyota) were praised in contrast to its predecessor, the Dorothy Chandler Pavilion.[1]

Contents

Acoustics

In a late stage of construction; the Dorothy Chandler Pavilion is to the right in the rear.

As construction finished in the spring of 2003, the Philharmonic postponed its grand opening until the fall and used the summer to let the orchestra and Master Chorale adjust to the new hall. Performers and critics agree that this extra time taken was well worth it by the time the hall opened to the public.[1] During the summer rehearsals a few hundred VIPs were invited to sit in including donors, board members and journalists. Writing about these rehearsals, L.A. Times music critic, Mark Swed wrote the following account:

When the orchestra finally got its next [practice] in Disney, it was to rehearse Ravel's lusciously orchestrated ballet, "Daphnis and Chloé" . . . This time, the hall miraculously came to life. Earlier, the orchestra's sound, wonderful as it was, had felt confined to stage. Now a new sonic dimension had been added, and every square inch of air in Disney vibrated merrily. Toyota says that he had never experienced such an acoustical difference between a first and second rehearsal in any of the halls he designed in his native Japan. Salonen could hardly believe his ears. To his amazement, he discovered that there were wrong notes in the printed parts of the Ravel that sit on the players' stands. The orchestra has owned these scores for decades, but in the Chandler no conductor had ever heard the inner details well enough to notice the errors.[1]

The hall met with lauded approval from nearly all of its listeners, including its performers. In an interview with PBS, Esa-Pekka Salonen, Music Director of the Los Angeles Philharmonic, said, "The sound, of course, was my greatest concern, but now I am totally happy, and so is the orchestra,"[2] and later said, "Everyone can now hear what the L.A. Phil is supposed to sound like."[3] This remains to be one of the most successful grand openings of a concert hall in American history.

The walls and ceiling of the hall are finished with Douglas-fir while the floor is finished with oak. The Hall's reverberation time is approximately 2.2 seconds unoccupied and 2.0 seconds occupied.[4]

Reflection problems

Walt Disney Concert Hall Sign
The exterior of Founders room after panels were re-surfaced.

After the construction, modifications were made to the Founders Room exterior; while most of the building's exterior was designed with stainless steel given a matte finish, the Founders Room and Children's Amphitheater were designed with highly polished mirror-like panels. The reflective qualities of the surface were amplified by the concave sections of the Founders Room walls. Some residents of the neighboring condominiums suffered glare caused by sunlight that was reflected off these surfaces and concentrated in a manner similar to a parabolic mirror. The resulting heat made some rooms of nearby condominiums unbearably warm, caused the air-conditioning costs of these residents to skyrocket and created hot spots on adjacent sidewalks of as much as 60 °C (140 °F). After complaints from neighboring buildings and residents, the owners asked Gehry Partners to come up with a solution. Their response was a computer analysis of the building's surfaces identifying the offending panels. In 2005 these were dulled by lightly sanding the panels to eliminate unwanted glare.[5]

Concert organ

View of the stage and organ before a concert.

The design of the hall included a large concert organ, completed in 2004, which was used in a special concert for the July 2004 National Convention of the American Guild of Organists. The organ had its public debut in a non-subscription recital performed by Frederick Swann on September 30, 2004, and its first public performance with the Philharmonic two days later in a concert featuring Todd Wilson.

The organ's facade was designed by architect Frank Gehry in consultation with organ consultant and sound designer Manuel Rosales. Gehry wanted a distinctive, unique design for the organ. He would submit design concepts to Rosales, who would then provide feedback. Many of Gehry's early designs were fanciful, but impractical: Rosales said in an interview with Timothy Mangan of The Orange County Register, "His [Gehry's] earliest input would have created very bizarre musical results in the organ. Just as a taste, some of them would have had the console at the top and pipes upside down. There was another in which the pipes were in layers of arrays like fans. Very fascinating. Couldn't be built. The pipes would have had to be made out of materials that wouldn't work for pipes. We had our moments where we realized we were not going anywhere. As the design became more practical for me, it also became more boring for him." Then, Gehry came up with the curved wooden pipe concept, "like a logjam kind of thing," says Rosales, "turned sideways." This design turned out to be musically viable.[6]

The organ was built by the German organ builder, Caspar Glatter-Götz, under the tonal direction and voicing of Manuel Rosales. It has an attached console built into the base of the instrument from which the pipes of the Positive, Great, and Swell manuals are playable by direct mechanical, or "tracker" key action, with the rest playing by electric key action; this console somewhat resembles North-German Baroque organs, and has a closed-circuit television monitor set into the music desk. It is also equipped with a detached, movable console, which can be moved about as easily as a grand piano, and plugged in at any of four positions on the stage, this console has terraced, curved "amphitheatre"-style stop-jambs resembling those of French Romantic organs, and is built with a low profile, with the music desk entirely above the top of the console, for the sake of clear sight lines to the conductor. From the detached console, all ranks play by electric key and stop action.

In all, there are 72 stops, 109 ranks, and 6,125 pipes; pipes range in size from a few centimeters/inches to the longest being 9.75m (32 feet) (which has a frequency of 16 hertz).[7]

The organ is a gift to the County of Los Angeles from Toyota Motor Sales, U.S.A., Inc. (the U.S. sales, marketing, service, and distribution arm of Toyota Motor Corporation).[8][9]

Pop culture

Restaurant

The concert hall houses celebrity chef Joachim Splichal's landmark fine dining restaurant Patina designed by Belzberg Architects. Patina serves French and California cuisine.[11]

Gallery

See also

Notes

  1. 1.0 1.1 Mark Swed (2003-10-29). "Now comes the true test". Los Angeles Times. http://www.latimes.com/entertainment/news/arts/cl-et-swed29oct29,0,1082257.story. Retrieved 2008-07-15. 
  2. accessdate=2008-07-15 "The Los Angeles Philharmonic Inaugurates Walt Disney Concert Hall". http://www.pbs.org/wnet/gperf/dialogue/dialogue_disneyhall.html accessdate=2008-07-15. 
  3. Valerie Scher (2003-10-25). "Disney Hall opens with a bang". The San Diego Union-Tribune. http://www.signonsandiego.com/news/features/20031025-9999_1c25gala.html. Retrieved 2008-07-16. 
  4. "Building Details and Acoustics Data". Nagata Acoustics. http://www.nagata.co.jp/e_sakuhin/factsheets/wdch.pdf. Retrieved 2008-07-16. 
  5. Coates, Chris (2005-03-21). "Dimming Disney Hall; Gehry's Glare Gets Buffed". Los Angeles Downtown News. http://www.downtownnews.com/articles/2005/03/21/news/news02.txt. 
  6. Timothy Mangan (September 30, 2004). "Pipe dreams at Disney Hall; The concert venue's fantastical organ is finally ready for unveiling". The Orange County Register (California). 
  7. "Rosales Organ Builders, Opus 24 (Walt Disney Concert Hall)". http://www.rosales.com/instruments/op24/index.htm. Retrieved 2008-01-03. 
  8. Wachtell, Esther (August 1991). "Using all the fund-raising tools: by giving its volunteers all the resources they needed to do the job, The Music Center of Los Angeles increased its campaign goal 15 percent to $ 17.6 million, despite the recession". Fund Raising Management 22 (6): 23. ISSN 0016-268X. 
  9. PAUL KARON (November 24, 1997). "Toyota ups hall donation". Daily Variety. 
  10. simp15.jpg
  11. http://www.gayot.com/best-restaurants/patinarestaurantlosangeles.html

References

External links